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Paris for The Time Travellers: a Friday-to-Monday weekend

Zinc roofs, limestone, and the long grey light.

History and architecture, read in the right order. Medieval on Saturday, modernism on Sunday, a guide who knows the gossip, and a drink where the plotters drank.

Friday: Gehry, 1937, and the Revolution's café

  1. Fondation Louis Vuitton

    Gehry's twelve glass sails over a cascade, best read from the rooftop terraces where the steel armature is exposed.

  2. Palais de Tokyo

    The 1937 exposition pavilion stripped back to raw concrete by Lacaton & Vassal, open until midnight with whatever is on.

  3. Le Procope

    The oldest café in the city, 1686, where Voltaire drank forty coffees a day and Danton, Marat and Robespierre plotted upstairs; coq au vin under Napoleon's hat.

Saturday: Medieval, then the casts

  1. Sainte-Chapelle

    Louis IX's reliquary chapel of 1248, fifteen windows of thirteenth-century glass holding the walls up; the first slot of the morning, before the light moves.

  2. Cité de l'architecture et du patrimoine

    A full apartment from Le Corbusier's Marseille Unité rebuilt inside the museum, with the plaster casts of cathedral portals upstairs.

  3. Les Ombres

    Nouvel's glass roof over the museum, lattice shadows on the table and the Eiffel Tower filling the window.

Sunday: Corbusier's day

  1. Villa Savoye

    The 1931 machine for living, pilotis and ribbon windows and the ramp to the roof, forty minutes from Châtelet.

  2. Pavillon Suisse and Maison du Brésil

    Le Corbusier's two student halls, 1933 and 1959, a generation apart in concrete; the lobbies are open.

  3. La Coupole

    The 1927 brasserie whose pillars were painted by the Montparnasse artists who ate there on credit.

Monday: The prison and the east bank

  1. Conciergerie

    The guided tour at opening through the Capetian hall, the Revolutionary tribunal and Marie-Antoinette's cell, with the tablet that rebuilds each room as it was.

  2. Cinémathèque française

    Gehry's 1994 American Center, now the cinema museum, with Méliès' props in a building that already looks like a film set.

  3. La Felicità

    A food hall inside Freyssinet's 1929 concrete rail halle, trattoria plates under the original vaulted shells.

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